Saree: Welcome to this World
Today, April 20th 2009, Saree al-Sayed Moustapha has become Sidra's little brother. We have become a family of four.
Yasser Hammoud 4
Some of my favorite works by distinguished Syrian artists.
Syrian National Day Celebration in Washington DC
On April 17, we celebrated the Independence Day at the Mandarin Hotel in Washington. The huge attendance was a testimony to how Syria is regarded by the American people despite years of trying to distort its image, particularly during the Bush era.
Washington's foremost blogger and the director of the New America Foundation Steve Clemons paid me the best compliment I have ever had since I came to America when he wrote:
"Yesterday evening, I wanted to pay my respects to a fellow blogger and lover of the arts, Imad Moustapha- who also happens to be the Ambassador of Syria to Washington."
I am usually described here as the Ambassador of Syria who is also a blogger and a lover of art. Clemons's way of introducing me was music to my ears.
The event was attended by the Syrian community from the national beltway, American friends of Syria, academics, diplomats - including almost all Arab ambassadors, prominent personalities from the US State Department, and major think tanks pundits. Most notably: it was heavily attended by the media. Representatives of major TV channels, national newspapers, influential internet sites, bloggers and independent analysts participated in celebrating Syria's national day. The implication of their heavy attendance was both a rebuke to the Bush legacy, and a strong condoning of President Obama's policies of dialogue and respect.
Another notable blogger had also this to write about our national day celebration in his Friday Lunch Club blog. However, a less friendly comment appeared in Foreign Policy's Syria on the Potomac. Well, after all, this is life in Washington DC.
Music and Songs from Syria
Last month was particularly rich in regards to Syrian music and singing in America. Four different groups performed at various venues across America with unanimous critical acclaim. The al-Kindi ensemble of traditional oriental music performed at the Eisenhower Theatre of the Kennedy center, whereas the group led by Kinan al-Azmeh presented modern jazzy music, mainly composed by Kinan himself, at the Millennium Stage of the same center.
However, the two major events were those of the Farah children’s choir that won the hearts of large audiences in three different states, and the concert presented by six Syrian artists from the National Symphony Orchestra who performed with the Pacific Symphony Orchestra in California hosted by their conductor Carl St. Clair at the Sogerstorm Concert Hall.
The music critic of the Orange County Register wrote approvingly: “Music director Carl St.Clair invited members of the Syrian National Symphony Orchestra, including its conductor, as well as Syrian folk musicians to take part in an "Arabian Nights" program. The government of Syria, of course, is officially considered not one of this country's best pals. But music will make friends. Thursday's concert unwound as a leisurely exploration of traditional Arab music and instruments, heard in the plush context of symphony orchestra accompaniment. The Syrian musicians were welcomed warmly by the audience and seemed pleased by the reception, sending plenty of warmth back.”
The concert included pieces played by virtuoso soloists and conducted by Missak Baghbadourian, as well as a concerto written by the talented Syrian composer Zaid Jabri and conducted by Mark St. Clair. Firas Shahrestan played Vivaldi’s Four Seasons on the Qanoun, Mussalam Rahal played Shafi Baddredin’s Concerto for Nai and String Orchestra, Mouhammad Osman presented on his buzuk Muhamad Abdul Rahim’s Tango for Buzuk and Strings.
The doyen of classical music in Syria, the late Solhi al-Wadi was not absent from this concert. His orchestral piece "Meditation on a Theme by Muhammad Abdul Wahhab" was presented. The piece was described by the Orange County Register as "glitzy, lush and romantic." Presenting music by Solhi al-Wadi was particularly laden with emotions. Al-Wadi was not only the founder of the Syrian National Symphony Orchestra, but he also toured California with his orchestra fifteen years ago, and performed with his young Syrian musicians in Orange County. The biggest surprise for the evening was the composition of Zaid Jabri for clarinet, cello and orchestra. Kinan Azmeh played the clarinet solo part, while Kinan Abu Afash played the cello part. Once again, the young Zaid Jabri is proving himself to be the finest musical talent from Syria on the world scene at present. His “Oriento Grosso” uses modern discords and a contemporary idiom within an Arabic musical context to produce a strong captivating work with a powerful dramatic overtone.
Ali Mukawass 2
Some of my favorite works by distinguished Syrian artists.
Damascus, again and again
Last month I had a fabulous trip to Damascus. I went there for business, attended official meetings and did lots of public engagements (lectures, press conferences and media activities), but I also had an excellent time with my family, friends and the vibrant cultural scene there.
Because I was accompanying some visiting US Congressmen and Senators (with their families), I also spent a relatively long time going around the old town in Damascus – my favorite place in the world. I accompanied them to places as varied as the ancient Jewish synagogue in Jubar and the holy Shiite Shrine of Sett-Zeinab.
While in Damascus, I had the opportunity to attend the art exhibition of Rima Salmoun at the Art House gallery, visit the new studio of Ahmad Mualla and attend a concert of the Syrian Philharmonic Orchestra (works by Rossini and Tchaicovsky were presented, but I have to admit that I was not impressed).
I also joined the Syrian charity BASMA in a press conference to advocate the cause of children with cancer in Syria. The only event that I regret to have missed was an evening with the renowned Syrian poet Nazih abu-Afash. The reason was simply: total exhaustion.
One downside to this visit though: I intensely missed Sidra and Rafif. A separation that lasted for a fortnight proved to be more than what I was prepared to withstand.
Yasser Hamoud 2
Some of my favorite works by distinguished Syrian artists.
Tajweed at the Claremont College
Last week we came back from a trip to California. I was invited there by the Claremont College to give a speech. It also included an interview with the Los Angeles Times.
As usual, meetings with the community and friends constituted the highpoints of the trip. The list of friends we met there included Selma and Hazem Chihabi; Lara and Robert Rezko; Dina and Habib Lahlouh; Barabara and Adnan Asswad, Ghada and Ray Irani; Hassan and Mrs. Mushammel; Talal and Mrs. Baidoun; and Ihsan and Mrs. Nizam.
Sidra also had lots of fun running along the strand of Laguna Beach.
One of the outstanding experiences I had there was when professor Bassam Franjieh of the Claremont College brought his Arabic language students (30 plus young American women and men) to greet me, and to my big surprise and bemusement they all joined in a choired recital of two Quran verses: 'al-Fatiha' and, and the famous ‘You have your religion and I have mine’. - memorized by heart and sung according to the best tajweed traditions. Very civilized indeed.
Ali Mukawass 1
Some of my favorite works by distinguished Syrian artists.
